Home Script
Newsletter
Introduction
Diary
Newsletter
Mailing List
Success Stories
FAQ

SCRIPT is the West Midlands agency for dramatic writers.

   
 

 

 
   
   

 

SCRIPT NEWS - May/June 2009

Script is delighted to welcome two new Board members to the team: Peter McLuskie and Mark Cunningham. 

Peter is based at the Light House, Wolverhampton, and runs various support and development schemes, including PLOT, a business support project for the creative sector.

Mark Cunningham is Manufacturing Manager for Jaguar Land Rover and brings a wealth of experience in strategic planning and business development to the team.

CURRENT PROJECTS

TENacity

Forging a career as a writer requires drive, determination and a certain degree of staying power.  TENacity is a targeted workshop programme designed to support writers along that path, to challenge pre-conceptions of the industry and to identify talented writers in the West Midlands who would benefit from further development.

Delivered in collaboration with ten venues across the region, TENacity will draw on the experience of professional playwrights, screenwriters, producers and theatre practitioners, to offer a unique focus on the creative process.  Where possible tying into local productions of new work, Script will give writers the chance to learn new skills and ways of working in a practical, dynamic environment.

Worcester

WAR OF THE WORDS: NEW APPROACHES TO RADIO DRAMA

Saturday 23rd May, 10am-5pm

Led by Nicholas McInerny

From the epic to the intimate, radio drama is uniquely placed to experiment with ideas, narrative and storytelling tools.  Using his experience of writing over 30 radio plays, Nicholas McInerny will examine current trends in radio drama and what commissioners are looking for.  What new techniques are being employed and how can writers use the medium to explore new concepts and challenge the form?

Cost: £50 (£45 concessions)

To book: Visit the Radio page

Stafford

THINKING INSIDE THE BOX: DEVELOPING IDEAS FOR TELEVISION DRAMA

Saturday 30th May, 10am-5pm

Led by TV/Film Producer Claire Ingham

How do television drama ideas get started - and how do they make it from a scribbled one-liner to a fully-fledged proposal, treatment or series bible that will grab a commissioner's attention?  This day-long workshop will look at how to find, create and develop ideas, how to present them, how much story to tell upfront - and how to think about satisfying the demands of different TV audiences.  The day will also include a review of the kinds of ideas commissioners are looking for now - and give an introduction to the key personnel at the major broadcasters.

Cost: £50 (£45 concessions)

To book: Visit the Screen page

Hereford

UNEARTHING THE BOMB: WRITING POLITICAL THEATRE

Saturday 13th June, 10am-4pm

Led by Alan Pollock

Alan Pollock's recent play One Night in November wove real events and personal testimonies with political speculation to examine questions of truth and choice in wartime.  This workshop will explore the use of research and documentary elements in popular drama.  How much truth, and how much art should be employed?  What do we mean by 'political' theatre?  What kind of resources exist for the political writer?  A day of provocative discussion and practical exercises.

Cost: £50 (£45 concessions)

To book: Visit the Stage page

Birmingham

CHARACTER INCUBATION: FINDING YOUR VOICE

Saturday 20th June, 10am-5pm

Led by Malika Booker

Details to follow...

Cost: £50 (£45 concessions)

To book: Visit the Stage page

Stoke-on-Trent

INDEPENDENCE DAY: WRITING FOR BRITISH FILM

Saturday 4th July, 10am-5pm

Led by TV/Film Producer Claire Ingham, with Dan Lawson (Screen WM)

What kinds of feature films are currently being greenlit in the UK?  Who's funding them, and how do you get your foot on the ladder as a new writer?  An overview of the films that have been made in the last few years: trends, funders, writing schemes; and how to gain access to development funding, commissioners and producers.

Cost: £50 (£45 concessions)

To book: Visit the Screen page

Bromsgrove

VISUAL IMPACT: WRITING FOR THE SCREEN

Saturday 25th July, 10am-5pm

Led by TV/Film Producer Claire Ingham and award-winning novelist and screenwriter, Helen Cross

Writing for the screen demands many of the skills a writer uses in creating short stories, novels, radio and theatre plays - but it also requires new ways of visualising and thinking about plots and characters.  How difficult is it to make the transition from prose storytelling to writing for the screen, and what are the tricks of the trade?

Using a mixture of film clips, writing exercises and practical advice, this course will encourage writers to think visually about stories, characters, delivering information and developing a visual style.  It will also include a session with award-winning novelist and screenwriter Helen Cross, whose book My Summer of Love became a BAFTA award-winning feature film.  Her first original screenplay, Stratford Road, is currently in development with Red Room Films and the UK Film Council.

Cost: £50 (£45 concessions)

To book: Visit the Screen page

to: Script, Unit 107 The Greenhouse, The Custard Factory, Gibb Street, Birmingham, B9 4AA

OPPORTUNITIES AND COMPETITIONS...

STAGE...

The 24 Hour Plays: Old Vic New Voices

If you're 18-25 and eager to launch yourself into the world of professional theatre, then we want to hear from you.  Following rigorous auditions and workshops successful applicants will have just 24 hours to prove their talent by creating engaging, edgy theatre for the Old Vic stage.  The results will be seen by 1000 industry professionals, family and friends.

Go to www.ideastap.com to apply

Deadline: 29th May 2009 (10am)

Pint Sized Plays 2009

Following the great success of the first year of Pint-Sized Plays, we're pleased to say that we're now launching the 2009 competition.  Pint-Sized Plays is your opportunity to show just how imaginative and original you can be in a 5-10 minute play.  We're looking for plays which show that small is beautiful and plays that use a pub situation in the most interesting, surprising, dramatic or funny way possible.  Your play should have a minimum of two and a maximum of three characters and be capable of being staged in a pub, using only such furniture that is there, but adding any costumes, props as can be carried by the cast.

The ten winning plays will be performed in pubs in Pembrokshire starting this Autumn during the Tenby Arts Festival and then in other pubs around the county.  In October, there will be a "Script Slam" in a theatre which showcases the ten winning plays and lets the audience vote for their favourite.

Deadline: 30th June 2009

Further info: www.pintsizedplays.org.uk

The Birmingham Repertory Theatre is now accepting submissions for two new writing programmes:
GRASS ROUTES

We are seeking artists aged 18-30 from throughout the West Midlands for this exciting new six month programme.  Whether you're a playwright, a performance poet or MC, if you're interested in writing for live performance, then we're interested in you.

We have a limited number of spaces on this development programme that will give you the chance to experiment with new forms, support you in creating new material and give you an opportunity to showcase your work.  Meeting every two weeks at The REP, and including dedicated help from trained professionals, the Grass Routes programme could be the chance you need to take your work to the next level

THE ATTACHMENT PROGRAMME

For many years, the REP has run a highly successful attachment programme for playwrights, providing writers at any stage of their career with resources and mentoring to develop a play for our studio theatre.  This year, the attachment is changing and expanding to reflect fully the range of opportunities for new writing at The REP.  As well as providing tailored support for you as you develop your new play, The REP will also provide masterclasses in all the different areas of new writing we cover.  Over the course of the year, this group of writers will have a chance to step outside of their comfort zone and experiment with new ways of writing.  The programme will end with a week-long showcase

Deadline (for both schemes): 1 July 2009

Further info: http://www.birmingham-rep.co.uk/participate/for-everyone/writing/ or phone 0121 245 2045

A New Voice

One-Act Playwriting Competition 2009

The Loft Theatre Company in Leamington Spa is launching a competition to promote and encourage the writing of new work, to be judged by BAFTA award-winning writer Andrew Davies.

The Loft is serious about theatre and aims to stimulate interest in plays and the theatre, to give a voice to unknown writers and to keep the spirit of local theatre alive.

This year we are pleased to announce a new play writing competition.  We are looking for a one-act original play in any style.

Full details: www.loft-theatre.co.uk/news/writers.php

Enquiries: ad@loft-theatre.co.uk

Deadline: 30 July 2009

HighTide Festival

HighTide are looking to produce new scripts from emerging writers for the fourth HighTide Festival, which will take place in May 2010.  Writers may submit one unproduced full-length play.

Further info: www.hightide.org.uk

Deadline: 1 August 2009

Short or Full-Length, Kali wants your scripts

Are you an Asian woman with something to say?  Then Kali wants to hear from you.  The organisation encourages, develops and presents high quality new theatre writing by Asian women and is looking for original and inspiring new theatre scripts. Selected writers will receive dramaturgical support to develop their script for the next Kali festival on 2010.

Deadline: 31st August 2009

Further info: www.kalitheatre.co.uk

STAGE International Script Competition

STAGE (Scientists, Technologist, and Artists Generating Exploration) is a collaboration between The Professional Artists Lab and the California NanoSystems Institute at the University of California, Santa Barbara. They are offering a prize of $10,000 for the best play exploring themes surrounding science and/or technology. The prize will be awarded at a public event with distinguished professionals from the worlds of theatre, film, science, and technology, in conjunction with a staged reading/performance/demonstration with a cast of professional actors. Authors are strongly urged to avoid the stereotypes often assigned to science, technology, and those who engage in these disciplines, and the competition is not open to plays written in the genre of science fiction.

Further information: http://www.cnsi.ucsb.edu/stage/guidelines/guidelines.html

Deadline: 15th December 2009

Sampad International Writing Competition

An opportunity for aspiring writers from or connected to the South Asian Diaspora around the world.

Journeys...a real or imagined journey, back to your roots, homeland, or a journey of the heart.

You can write in any style, using the theme of journeys as a starting point: use your imagination to evoke memories, sensations, your feelings about a journey you have made - in your dreams or in real life - voyage of self-discovery, back to your roots.

If you would like to take part, call 0121 452 8899 or visit the website: www.sampad.org.uk for more details and an entry form

Deadline: 31 December 2009

National Theatre Of Scotland: Call for Submissions

National Theatre of Scotland takes theatre all over the country and beyond, working with existing and new venues, artists and companies to create and tour world class theatre. We are looking for new plays by writers who are inventive and fearless. We want to be stimulated, challenged and excited by writers with a strong theatrical imagination and a nose for complex and urgent subject matter.

Further information: www.nationaltheatrescotland.com/newwork

The Group: Call for Submissions

The Group consists of Equity members, whose monthly meetings at Theatre Royal, Stratford East in London focuses on reading & giving feedback on new plays, both theatre, television & radio scripts with the playwright present at the reading - followed by an indepth discussion from all attendees, both cast members & other members of The Group, both actors & writers.

We welcome submissions of new plays.

Further information: www.thegroup-scriptreaders.com, & contact Shenagh Govan at shenagh.govan@thegroup-scriptreaders.com

 

RADIO

RADIO 4 COMMISSIONING GUIDELINES

If you've ever thought about writing for Radio 4, take a look at the BBC's Commissioning Guidelines:

http://www.bbc.co.uk/radio4/arts/commissioning.shtml

 

SCREEN...

BAFTA Rocliffe New Writing Forum 2009

Call for Scripts

We are accepting script submissions for the next BAFTA Rocliffe New Writing Forum taking place at the Broadway Cinema, Nottingham, as part of Broadway's Festival of Screenwriting on 30 June 2009.

Further info: http://www.bafta.org/whats-on/bafta-rocliffe-new-writing-forum,380,BA.html

Deadline: 26 May 2009

Rapid Eye Movement

Warwick Arts Centre is hosting this event which presents the best in new film-making from across the West Midlands, drawing from student work or emerging professionals to work by some seasoned practitioners, dramas, documentaries, animations and music videos.  If you would like to contribute a film to the programme, please send it on DVD, Beta tape or 25mm by Friday 29th May to John Gore, Warwick Arts Centre, The University of Warwick, Coventry, CV4 7AL.  Films must be less than 15 mins in duration.

Sir Peter Ustinov Television Scriptwriting Award

Each year, The Foundation of The International Academy of Television Arts & Sciences administers the Sir Peter Ustinov Television Scriptwriting Award.

The competition is designed to motivate non-American novice writers under the age of 30, and to offer them the recognition and encouragement that might lead to a successful career in television scriptwriting.  Entrants are asked to create a completed half-hour to one-hour (commercial length) English-language television drama script for a family audience.

The winner will be flown to New York City to be presented with an Award and a $2,500 prize at the International Emmy World Television Festival on November 21, 2009.  The winning script will be read by actors in front of an audience at the Festival, and the winner will be invited to take part in the red carpet festivities at the 37th International Emmy Awards on November 23.

To find out more and apply, please visit the website: http://iemmys.tv/foundation.aspx

Deadline: 15th July, 2009

UK Film Council

The UK Film Council has a fund available to broaden the quality, range, and ambition of film projects being developed in the UK and to build a talent driven home for writers, directors, and producers. The First Feature Film Development Programme aims to identify and support emerging filmmakers: screenwriters, writer/directors, and writer-director-producer teams who have not yet had a feature film released theatrically or broadcast on UK television. Generally, awards of up to £25,000 will be offered to screenwriters or writer-directors to write and develop a feature film.

Further information: http://www.ukfilmcouncil.org.uk/development

BBC Film Network

Film Network is the BBC's short film showcase, screening short films from new British Filmmakers, with four new shorts every week. The site also provides filmmakers with tools to create online profiles and exchange tips, advice and ideas and allows audiences to comment on and rate the films. It also provides links to all the great online resources that already exist through the Filmmakers Guide. The site is currently trialing but will launch fully in October.
Further information: http://www.bbc.co.uk/filmnetwork/


TRAINING AND EVENTS...

Tuesday 21st May 2009

BIRD'S EYE VIEW

Warwick Arts Centre, 6.30pm

A selection of the best film shorts from this year's festival by women film-makers, including Amanda Boyle's Pop Art, Rebecca Johnson's Top Girl and a five-minute musical about random acts of kindness, Like Other People Do.

Full details: 024 7652 4524 or www.warwickartscentre.ac.uk

22-24 May 2009

Rogueplay Theatre presents:

FINDERS/KEEPERS

RoguePlay, the new Theatre in Residence at Birmingham's The Custard Factory, are performing at The Factory Theatre their new piece, Finders/Keepers.

When is something (or someone) truly yours?

Do we ever grow out of our childish need just to want for the sake of it?

Inspired by Caryl Churchill's Owners, 3 people play dirty just to see how far they can go.

Join them for an evening of mind games and witness who will be bought, who will be sold, who will come out on top and who will be left with nothing.

After all, two's company, three's a battleground.

Tickets: £7

Box Office: 0844 700 0000 www.theticketsellers.co.uk

Further details: www.rogueplay.co.uk

Tuesday 26th May 2009

EUROSCRIPT EVENING OF GANGSTER AND DETECTIVE

Led by Charles Harris, 6.15-9.30pm

Avoid the biggest mistakes of Gangster and Detective scripts.  Let us make you an offer you can't refuse!

Genre is the best-kept secret of professional writing.  If you are having problems writing or selling your scripts, whatever their subject matter, genre could well be the problem.  This evening will help you clarify your genre and deliver your story in surprising in surprising and satisfying ways.

Cost: £45

Venue: London Welsh Centre, 157/163 Grays Inn Road

Further details: 020 7435 1330 or

enquiries@euroscript.co.uk

29-31 May 2009, 2-4 October 2009, 29-31 January 2010

WRITING DRAMA FOR TELEVISION

3-day residential course in idyllic Sussex

A course designed to assist students with getting a vital insight into the television industry as well as provide practical and creative support on drama scripts that are either complete or presently being written, or concepts that are at the early stages of development.  This course is suitable for anyone who has the desire to write a script and needs some support in how to start!

Course tutors are two industry executives both working, commissioning and developing television drama.  Between them work credits include Where the Heart Is, New Tricks, Rome, Hotel Babylon, Holby City, Dream Team

Venue: Tilton House, Sussex

Cost: £395 (includes course fees, shared accommodation, meals and refreshments throughout the weekend)

To book: Email nicolalarder@yahoo.co.uk to check availability and book your place

Tuesday 2nd June 2009

RAPID EYE MOVEMENT

Warwick Arts Centre, 6.30pm

Screening of films by emerging film-makers in the West Midlands

Full details: 024 7652 4524 or www.warwickartscentre.ac.uk

22 April - 6 June 2009

THE CONTINGENCY PLAN by Steve Waters

The Bush, London

A double bill of thrilling new plays from the frontline of climate change.

Resilience and On the Beach present an epic portrait of England in the near future when catastrophic climate change has led to widespread flooding.  Bristol is sunk, the east coast is next.  Can the new Tory Government save the day?

Written by Steve Waters, course convenor for the MPhil in Playwriting Studies at The University of Birmingham

Tickets: £15 (£13 concessions)

Box Office: 020 8743 5050

13-14 June 2009

ALL TOGETHER NOW?  BRITISH THEATRE AFTER MULTICULTURALISM

A British Theatre Conference - Warwick Arts Centre

Michael Boyd, Richard Eyre, Vicky Featherstone, Kwame Kwei-Armah and Stewart Lee are among theatre practitioners gathering at the Warwick Arts Centre to discuss whether theatre should take on the role of bringing Britain's diverse communities together.

Under Labour, the arts were charged with challenging social exclusion, celebrating diversity and reasserting Britishness.  But is there a contradiction between diversity and national identity?  Should theatre foster cohesion or challenge it?  If multiculturalism is dead, should theatre be promoting it?  Is the theatre's role to encourage tolerance or provoke outrage?

This conference is supported by generous contributions from Royal Holloway University of London, the University of Warwick, and Warwick Arts Centre.

Tickets: £100 (£50 student rate)

To Book: www.britishtheatreconference.co.uk

Enquiries: j.reinelt@warwick.ac.uk

25 June 2009

ILLUMINATE: DIALOGUE

The Art of Playwriting in a Culturally Diverse Scotland

CCA, Glasgow (1.30pm-6pm)

Illuminate investigates varying aspects of contemporary theatre practice, as part of the Playwrights' Studio's commitment to exploring and developing the art form of theatre.  Our event will be an afternoon of debate and new thinking on the subject of cultural diversity in Scotland's theatre industry; open to established and aspiring artists, decision-makers, and opinion formers in theatre writing, commissioning, programming and casting.

Tickets: £15 (including refreshments and wine reception)

To book: Email info@playwrightsstudio.co.uk or phone 0141 332 4403

27-28 June 2009

DEALING WITH WRITING

State of the Nation

Workshop Leaders: Noel Greig and Philip Osment

Weekend workshops by the sea for every writer

Arthur Miller's play Death of a Salesman takes the small story of a family and through it examines the great matter of the American Dream.  In her play Light Shining on Buckinghamshire, Caryl Churchill reveals the historical routes of the English opposition to authoritarianism.  Bertold Brecht's Threepenny Opera exposes the collusion between organised crime and corrupt politics.

What are the new plays today that have such breadth of vision?  How can playwrights and theatre makers approach the challenge of creating work that addresses the great questions of the day?  How do small individual stories throw light on our collective experience?  In a society with deep divisions, is it possible to write the 'state of the nation play'?

The weekend will explore such questions, through a stimulating mixture of practical writing, examination of extant work and tutor-led discussion.  As well as for committed writers, it is also recommended to people involved in developing work with community groups, youth groups and students.

Supported by New Writing South

Cost: £175

Venue: Royal Hotel, Deal, Kent

Bookings: 01304 367625 or info@dealingwithwriting.com

Website: www.dealingwithwriting.com

 

DO YOU HAVE SOME NEWS YOU'D LIKE TO SHARE WITH THE SCRIPT MEMBERSHIP?  If so, then e-mail info@scriptonline.net by the end of the month and it will go into the following month's Newsletter.

Script asks you to note: These listings are drawn from varying sources, all current at time of publishing.

Script endeavours to investigate and validate all information and opportunities listed here. We advise you to make contact with companies before submitting scripts.

 

ARCHIVE

To view previous editions of Script News, please click on the links below

2003-2007

January 2008

February 2008

March 2008

April 2008

May/June 2008

July/August 2008

October/November 2008

December 2008

January/February 2009

March/April 2009

Back to the top

 
 
Home Stage Radio Screen Resource About Us