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SCRIPT is the West Midlands agency for dramatic writers.

 

 

 

 
 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

   
   

Introducing TENacity:

TENacity is a targeted development programme offering writers the chance to explore new ways of working in a creative, supportive environment.  

With events ranging from workshops, readings, writer labs and networking, the programme offers a wide variety of opportunities for writers to hone their skills with input and support from dramaturgs and theatre practitioners.

Please note: Script now accepts online payments from all major credit and debit cards. Follow the links below each event for more details and online booking service.

Alternatively, if you wish to pay by cheque, visit: http://www.scriptonline.net/TENacityBookingForm.htm

 

NETWORKING

Writers' Lab: Pitch and Punt

Saturday 12th June 2010 (Pentabus Theatre)

Saturday 24th July 2010 (Heartbreak Productions, Spencer Yard, Leamington)

 

In partnership with Equity Central England, Script is inviting emerging and established writers to bring scenes, extracts or maybe just concepts from current works-in-progress for professional actors to read, improvise and explore. The aim of the day is to provide an informal platform for writers to share ideas and projects, gain feedback, and network with other regional artists. Participants will be introduced to the work currently being developed and created in the region, and encouraged to explore potential collaborations.

To apply for a place, please email Hayley Boulton on info@scriptonline.net with a short biography and an outline of the idea you would like to bring along (giving an indication of length and number of characters).

Cost: FREE

 

Writing Site-Specific Theatre

Saturday 19 th June 2010 (10am-5pm)

New Vic Theatre , Newcastle-under-Lyme

Led by Vanessa Oakes

From telephone boxes to abandoned warehouses, Site-Specific Theatre tests the boundaries of space, setting and audience expectation to explore, excite and entertain. This one-day workshop will look at how stories can emerge from locations and how spaces can affect and alter the meaning of words. It will also explore how a playwright can gain access to ‘alternative' spaces and what practical issues need to be considered in development and performance.

Vanessa Oakes has worked on a number of site-specific shows and her recent plays include ; I Am Active (Red Teapot), The Kindness of Strangers (Warwick Words), Lost in Paradise CV6 (Belgrade Theatre), A Body Moving Through (the estate), Live Like Us (Belgrade Theatre). Current projects include; a monologue for Paines Plough/Belgrade Theatre, dramaturg for The Piano Room (Symphony Hall, Birmingham) and a new play for Theatre in Action (Glasgow).

Cost: £50 (£40 concessions)

For more information and booking visit: http://sitespecifictheatre.eventbrite.com/

 

The Moving Bus – Dealing with Exposition

Saturday 26th June 2010 (10am-5pm)

The Drum, Birmingham

Led by Alan Pollock

A writer once described the results of effective exposition as akin to ‘stepping onto a moving bus'. Are we, as writers and theatre artists, too reliant on the goodwill of audiences? Shakespeare and his contemporaries could not count on the undivided attention of theirs. Their approach to engaging the interest of playgoers is direct and practical: messengers arrive, choruses speak, proclamations are uttered and characters tell each other things they would already know… Do contemporary theatre-makers have anything to learn from past approaches? Or should we look to the future – to monologue, narration and new media (digital, audio and visual) – to hit the ground running? A one-day workshop featuring readings, discussions and some entertaining practical exercises.

Alan Pollock is a playwright and dramaturg who is currently under commission at the Birmingham Repertory Theatre. He was previously Literary Manager at the Manchester Royal Exchange and has delivered extensive workshops and mentoring schemes for theatre companies. His most recent play One Night in November is one of the most successful premieres ever produced at the Belgrade Theatre. It is currently being developed for television.

Cost: £50 (£40 concessions)

For more information and booking visit:

http://writingforexposition.eventbrite.com/

 

Writing Theatre-in-Education

Saturday 3rd July 2010 (10am-5pm)

Light House, Wolverhampton

Led by Arzhang Pezhman

Theatre-In-Education (TiE) is a growing area of employment for writers. A large number of companies in the UK specialise in developing and producing theatre for schools, building plays around a particular educational topic or debate. This one-day workshop will introduce participants to the fundamentals of writing for young audiences. Through the exploration of both theory and practice in playwriting, it will help participants develop a thorough understanding of writing for commission and writing to a brief. The aim of the workshop is to both develop writing techniques and the individual's voice but also to consider playwriting as a vocation, specifically in education.  

Arzhang Pezhman 's play Bolt-Hole was produced in 2006 at the Birmingham Repertory Theatre.  He has also written a play for the Young REP, Tics , which was produced in 2005.  Arzhang has also had his work produced by the Royal Court Theatre - Local (2000) and Come Around (2003).  In 2003 he was commissioned to write a full-length play Mother's Day , which was performed by pupils at Wolverhampton Grammar School .  He was also Writer-in-Residence at the Soho Theatre in 2006.  

Cost: £50 (£40 concessions)

For more information and booking visit:

http://theatreeducation.eventbrite.com/

 

 

Developing Ideas for the Stage

Saturday 17th July 2010 (10am-5pm)

Pentabus Theatre, Ludlow

Led by Peter Roberts

This one-day workshop will provide an introduction to the fundamentals of creating stories for the theatre. Writers will be able to explore how to structure scenes, develop character and plot and how to write effective dialogue. It will also look at the basic practicalities of putting your work on the stage. An essential toolkit to master the art and craft of playwriting.

Peter Roberts is a Royal Shakespeare Company award-winning writer with credits for stage, television, and radio. Stage plays include Education, Education , and Viking Tales for Derby Playhouse, Flying For Arthur , (Sherman Theatre, Cardiff ) and Heart and Stone for New Theatre Works.  His play-with-music, A Maid With A Lamp , based on the life of Florence Nightingale, is scheduled for Derby Theatre in May 2010. His adaptation of Sophocles' Lysistrata is scheduled for production at Derby Theatre in 2011.

Cost: £50 (£40 concessions)

For more information and booking visit:

http://developingideas.eventbrite.com/

 

Writing Community Theatre

Saturday 31st July (10am-5pm)

Friends' Meeting House, Warwick

Led by Stephanie Dale

Part lecture, part practical-based exercises, this one-day workshop will explore what needs to be considered when writing large scale plays.  During the workshop, participants will look at text from past community plays and start to create new pitches for future productions.

Stephanie Dale is a professional playwright, whose plays have been produced by Soho Theatre, LAMDA, Birmingham Repertory Theatre, and BBC Radio 4. She is a tutor on the MPhil in Playwriting Studies at the University of Birmingham, and also teaches at BSA, City University. She is currently on attachment at the Birmingham Repertory Theatre.

Cost: £50 (£40 concessions)

For more information and booking visit:

http://communitytheatre.eventbrite.com/

Devising for Writers

Sunday 11th July, 10am-5pm

Saturday 14th August, 10am-5pm

Sunday 15th August, 10am-5pm

The Drum, Birmingham

A three day workshop exploring writing as part of a devising process, that takes place during the making and rehearsing of a performance.  The workshop will focus on rule-based text-generating exercises, starting with simple games and discussions, and developing these approaches into material for performance.  The workshop will culminate with an informal showing of some of the ideas and material developed over the three days.  

Alexander Kelly is Co-Artistic Director of performance company Third Angel with whom he devises, directs, writes, designs and performs. Alex tours with Third Angel's work throughout the UK and internationally; he has taught at Universities across Britain and at the Gulbenkian Foundation in Lisbon .  

To apply for a place, please email Hayley Boulton at info@scriptonline.net your contact details, a short biography and an outline (not more than 2 sides of A4) of why you would like to attend and how the workshop will help you at this stage in your career.

Cost: FREE

 

PAST EVENTS:

Warwick Words in association with Script

HOW TO WRITE...THEATRE FOR CHILDREN

Thursday 1 October (2pm-5pm)

Friends Meeting House

In this workshop, Campbell Perry will talk about the similarities and differences between writing for adults and children and look at ways of adapting a story into a piece of theatre for primary aged children, with some examples.

The workshop will centre around discussing what makes some stories lend themselves to theatre, and how settings , character and events combine to develop story and plot. 

There will be a mix of talk, writing and practical activities, so that everyone has an opportunity to explore some of the ideas under discussion. And hopefully, it will be fun as well!

Tickets: £15

Box Office: 01926 776438

There are only 15 places available for this workshop, so please book in advance.

 

TENacity

PLAYING WITH CONVENTION: DEVISING THEATRE

Saturday 5th September 2009 (10am-5pm)

Carran Waterfield

Playing with Convention will explore the relationship between the audience (spectator/participant) and the actor (character/interpreter). It is an opportunity to consider how theatre can be developed and created through a non-scripted process. Participants will have the opportunity to look at possibilities within their own work to explore myths, rituals and historical interpretations. Specifically the workshops will explore the devising concept and how a script can be developed using the actor’s skills and processes.

Using Triangle Theatre’s production of The Last Women as an example, the workshop will examine the creation of a performance that is neither scripted nor non-scripted.

The Last Women interweaves historical reality with the mythical, ritual and imagination. The play is a powerful interpretation of the stories of six condemned women. More information about the show can be found at their website: www.lastwomen.co.uk

Carran Waterfield is the founder and Artistic Director of Triangle Theatre Company based in the West Midlands UK. She has devised, written and directed over forty productions. Her production and education work have been represented internationally. She regularly presents at conferences as well as leading training courses with Co-Artistic Director Richard Talbot.

Venue: Belgrade Theatre, Coventry

Cost: £50 (£45 concessions)

To Book: Download a booking form

 

EMERGE

The Emerge pilot has now finished, many thanks to all those  who got involved. During May, June and July we offered readings to nine writers in association with the Midlands branch of Equity and the Writer's Guild of Great Britain

The writers involved were:

-- Richard Parkes
-- Ian Hassall
-- Michael Cole

-- Rachel Sambrooks

-- Julian Armitstead

-- Peter Sutton

-- Ifemu Omari

-- Kate Shaw

-- Liz John

 

SCRIPT GAMES

Saturday 22nd November, 1pm

Beijing Map Games Exhibition, Gas Hall

Pictures tell a thousand stories...

What's yours?

Script, in association with Birmingham Museums & Art Gallery, presents five short plays written in response to the Beijing Map Games Exhibition. 

The plays were selected following an open competition in which writers were asked to draw inspiration from the artworks on display.

The artworks have been inspired by the rapid changes that are influencing the appearance and map of Beijing city.  The writers have drawn on individual exhibits to explore a personal interpretation of themes of identity, freedom and the relationship between culture and technology.

Sacred Geometry, by Rachel Sambrooks

Zhe Zhi, by Tim Macavoy

Look Down on the City, by Jonathan Collings

The Seal-Maker's Son, by Tina Freeth

Unconciousness, by Alex Dennistoun

Director: Kate Chapman

Actors: Peter Chay, Tony Kilbane, Jay Oliver Yip, Jennifer Lim

 

APPROACHES TO WRITER DEVELOPMENT: THE EUROPEAN MODEL

Script has successfully applied for funding of 19, 720 Euros from the EU Leonardo Da Vinci Mobility Programme to send professional playwrights on 2-week placements to theatres in Europe.  For further information, please visit the dedicated project web page on: www.scriptonline.net/leonardo

 

SCRIPT READING SERVICE

You can now send your script to us and receive a feedback report from one of our expert readers. For more information about this service please go to the Resource section

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